{"id":947,"date":"2024-10-23T09:42:51","date_gmt":"2024-10-23T09:42:51","guid":{"rendered":"https:\/\/www.barbaralehtna.com\/?p=947"},"modified":"2024-10-23T11:38:47","modified_gmt":"2024-10-23T11:38:47","slug":"habitat","status":"publish","type":"post","link":"https:\/\/www.barbaralehtna.com\/index.php\/2024\/10\/23\/habitat\/","title":{"rendered":"Habitat"},"content":{"rendered":"\t\t
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\"habitat<\/figure><\/div>
\"Screenshot<\/figure><\/div>
\"habitat_df_-4290\"<\/figure><\/div>
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Being naked doesn\u2019t mean you have to feel naked. The more than naked ensemble, founded in 2013 around Doris Uhlich, operates in a realm beyond the dichotomy of \u201estaring or being stared at\u201c and pays no mind to shame or actionist provocation. Instead, Uhlich creates choreographed free spaces and immerses herself in refined rituals for human flesh that doesn\u2019t want to play hide-and-seek anymore. On two days in Krems about 30 performers will occupy the monumental Dominican Church, already secularised in 1786, and transform it into a habitat full of unimagined life forms. The horde celebrates their unity in diversity. They do not obey the imperatives of the sex market economy and aren\u2019t ashamed to bring wrinkles and love handles into the picture. The image is a literal and social movement. The dancers play with the metaphor of infection: one quiver, the other tremors. Sweating and gasping. Impulses twitch, and energies are invisible yet perceptible. The space becomes a social body.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tChoreography: Doris Uhlich<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tLight: Gerald Papperberger<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tSound: Boris Kopeinig<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tPerformers: Barbara Lehtna, Juan Felipe Amaya Gonzalez, Samira B\u00f6sch, Uwe Brauns, Eyal Bromberg, Zinzi Rosa Buchanan, Manuela Calleja, P\u00eadra Costa, Ewa Dziarnowska, Anna Friedrich, Christina Gazi, Alexandar Georgiev, Andrea J\u00fal\u00eda Gunnlaugsd\u00f3ttir, Lotta Maaria Halinen, Christina Hurt, Irene Irrgeher, Boris Kopeinig, Louis Labadens, Hugo Le Brigand, Lilach Livne, Milan Loviska, Aloun Marchal, Ra\u00fal M\u00e1rquez, Yoshie Maruoka, Andrius Mulokas, Mzamo Nondlwana, Ofelia Jarl Ortega, Johanna Pauer, Yali Rivlin, Vera Rosner-N\u00f3gel, Lyllie Rouviere, Roni Sagi, Grete Smitaite, Ulla Stahlstadt, Julischka Stengele, Doris Uhlich, Christina Vivenz, Werner Vockenhuber, Brigitte Weinberger, Johannes Zits<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    Production <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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    Produced by: donaufestival and insert (Theaterverein)<\/p>

    Premiere: April 4, 2017 at Dominikanenkirche Krems, Austria<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Being naked doesn\u2019t mean you have to feel naked. The more than naked ensemble, founded in 2013 around Doris Uhlich, operates in a realm beyond the dichotomy of \u201estaring or being stared at\u201c and pays no mind to shame or actionist provocation. Instead, Uhlich creates choreographed free spaces and immerses herself in refined rituals for […]<\/p>\n","protected":false},"author":1,"featured_media":948,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/posts\/947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/comments?post=947"}],"version-history":[{"count":7,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/posts\/947\/revisions"}],"predecessor-version":[{"id":963,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/posts\/947\/revisions\/963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/media\/948"}],"wp:attachment":[{"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/media?parent=947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/categories?post=947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.barbaralehtna.com\/index.php\/wp-json\/wp\/v2\/tags?post=947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}